Wednesday, 15 September 2010

Analysis of NewBoy - Steph Green




The title tells us that the film is going to be set in a school, which is supported by the by the way it is written in chalk, with a mixture of capitals and lowercases, they themselves a depiction of the journey the protagonist faces. The protagonist appears as a troubled child, he does not talk and seems to be distant from the class in a more unusual way than that of a new student. His story is slowly revealed through flashbacks – he no longer knows how to trust anyone (after he witnessed the father he idolized being shot) which is inferred by his uptight and stiff posture. The opening over-the-shoulder blurred shot and subsequent out-of-focus shots infer that the children are nameless face in the crowd and the shadowy, grey mise-en-scene reflect the lack of joy and pleasure in learning. This setting is deliberately juxtaposed with that of the protagonist’s (Joseph’s) previous school, where everything is bold and brightly coloured and the flashbacks balanced with the music depict a happy and relaxed atmosphere. The constant change between the settings makes the silent alien sounds and bleak reality of Joseph’s new school more evident. There are various shots that depict Joseph’s loneliness, for example the slow pan in the playground around the different groups within the hierarchal structure emphasise his place as an outsider. The music when Joseph is putting on his coat also tells the story and thus supports the visual – it starts off aldante, as it reaches its climax it becomes a slower adagio and agitato becoming restless. The ending is beautifully constructed with the shot of the of the three boys smiling in unity which stays in the audience’s mind and leaves this upbeat message from a seemingly bleak narrative.

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